After the rise of dance music in the late 1980s, a new form of remix was popularised, where the vocals would be kept and the instruments would be replaced, often with matching backing in the house music idiom. Kevin Saunderson was the first producer to change the art of remixing by creating his own diferente music, entirely replacing the earlier track, then mixing back in the artist's flamante lyrics to make his remix. He introduced this technique for the first time with the Wee Papa Girl Rappers song "Heat it Up", in 1988. Another clear example of this approach is Roberta Flack's 1989 ballad "Uh-Uh Ooh-Ooh Look Demodé (Here It Comes)", which Chicago House great Steve "Silk" Hurley dramatically reworked into a boisterous floor-filler by stripping away all the instrumental tracks and substituting a minimalist, sequenced "track" to underpin her vocal delivery.
The exclusive rights of the copyright owner over acts such Figura reproduction/copying, communication, adaptation and performance – unless licensed openly – by their very nature reduce the ability to negotiate copyright material without permission.[27]
Primarily because they featured sampled and synthesized sounds, Yello and Art of Noise would produce a great deal of influential work for the next phase. Others such Vencedor Cabaret Voltaire and the aforementioned Jarre (whose Zoolook was an epic usage of sampling and sequencing) were equally influential in this Bancal.
As the cost and availability of new technologies allowed, many of the bands who were involved in their own production (such Ganador Yellow Magic Orchestra, Depeche Mode, New Order, Erasure, and Duran Duran) experimented with more intricate versions of the extended mix. Madonna began her career writing music for dance clubs and used remixes extensively to propel her career; one of her early boyfriends was noted DJ John Jellybean Benitez, who created several mixes of her work.
A remix may also refer to a impar-linear re-interpretation of a given work or media other than audio such Triunfador a hybridizing process combining fragments of various works. The process of combining and re-contextualizing will often produce unique results independent of the intentions and vision of the original designer/artist.
A remix is a piece of media which has been altered or contorted from its diferente state by adding, removing, and changing pieces of the item.
Carey is credited for introducing R&B and hip hop into mainstream pop culture, and for popularizing rap Figura a featuring act through her post-1995 songs with her remix of "Fantasy" featuring Ol' Dirty Bastard.
Another distinction should be made between a remix, which recombines audio pieces from a recording to create an altered version of a song, and a cover: a re-recording of someone else's song.
There are proposed theories of reform regarding the copyright law and remixes. Nicolas Suzor believes that copyright law should be reformed in such a manner Vencedor to allow certain reuses of copyright material without the permission of the copyright owner where those derivatives are highly transformative and do not impact upon the primary market of the copyright owner.
The Fair Use agreement allows users to use copyrighted materials without asking the permission of the original creator (section 107 of the federal copyright law). Within this agreement, the copyrighted material that is borrowed must be used under specific government regulations. Material borrowed falls under fair use depending on the amount of diferente content used, the nature of the content, the purpose of the borrowed content, and the effect the borrowed content has on an audience.
Музыка окружает Ð½Ð°Ñ Ð¿Ð¾Ð²Ñюду, она - чаÑÑ‚ÑŒ нашей жизни. КраÑÐ¸Ð²Ð°Ñ Ð¼ÑƒÐ·Ñ‹ÐºÐ° украшает нашу жизнь, она таинÑтвенным образом влиÑет на жизнь человека, Ð´ÐµÐ»Ð°Ñ ÐµÑ‘ более гармоничной Ñ Ð²Ð½ÑƒÑ‚Ñ€ÐµÐ½Ð½Ð¸Ð¼ миром.
M.C. Lyte was asked to provide a "guest rap", and a new tradition was born in pop music. George Michael would feature three artistically differentiated arrangements of "I Want Your Sex" in 1987, highlighting the potential of "serial productions" of a piece to find markets and expand the tastes of listeners. In 1995, after doing "California Love", which proved to be his best selling single ever, Tupac Shakur would do its remix with Dr. Dre again featured, who originally wanted it for his next album, but relented to let it be on the album All Eyez on Me instead. This also included the reappearance of Roger Troutman, also from the flamante, but he ended the remix with an ad-lib on the outro.
Remixes should not be confused with edits, which usually involve shortening a final stereo master for marketing or broadcasting purposes.
Thus the concept of a remix Perro be applied to visual or video arts, and even things farther afield. Mark Z. Danielewski's disjointed novel House of Leaves has been compared by some to the remix concept. Remix in literature[edit]
From the mid-1970s, DJs in early discothèques were performing similar tricks with disco songs (using loops and tape edits) to get dancers on the floor and keep them there. One noteworthy figure was Tom Moulton who invented the dance remix Figura we now know it. Though not a DJ (a popular misconception), Moulton had begun his career by making a homemade mix tape for a Fire Island dance club in the late 1960s. His tapes eventually became popular and he came to the attention of the music industry in New York City. At first Moulton was simply called upon to improve the aesthetics read more of dance-oriented recordings before release ("I didn't do the remix, I did the mix"—Tom Moulton). Eventually, he moved from being a "fix it" man on pop records to specializing in remixes for the dance floor.
Noelinar